Natalie Portman in Black Swan
Natalie Portman in Black Swan
Natalie Portman in Black Swan
Natalie Portman in Black Swan
Natalie Portman in Black Swan
Natalie Portman in Black Swan
Natalie Portman in Black Swan
Natalie Portman in Black Swan
Marcel Proust, as a novelist, has done wonders for the world of literature and of art since art is nothing but that stuff that dreams are made of. By the same token, cinema – the art of reflection and perception – when handled well can do wonders for us. But few of us can understand cinema, which is truly the most innovative and psycho-analytical art that man has ever created. Indeed, poetic filmmakers can capture our inner feelings with a camera lens and unravel our most intimate and privately insane inner world by looking through our eyes with a camera lens. Living masters of Cinema such as Eastwood, Spielberg and Scorsese tell beautiful stories that succeed to entertain the masses of the world without confusing anyone while the likes of Lynch push the boundaries of storytelling through their exploration of dreams in the inner fiber of the human psyche and succeed to transcend the idea of horror. Aronofsky’s Black Swan seems to oscillate between the surreal and the horror genres.
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